Tilda has had a passion for storytelling since childhood. Before pursuing her Film Production degree in the UK, she gained hands-on experience in Sweden as a videographer, writer, and director. Specifically, she has worked as a writer for gender-based violence organisations such as ungarelationer.se and 1000mojligheter.se, where she focused on raising awareness and supporting survivors through storytelling and advocacy.

Samuel Skipp is an emerging Director of Photography with a strong visual eye and a passion for cinematic storytelling. He recently served as the DOP on a completed short film, where he demonstrated a clear ability to craft compelling imagery and support the director’s vision through visual language. Previously, he worked as a 1st Assistant Camera on two narrative projects: Darina (2024) and Unfinished (currently in post-production). 

Ryan has had a glimpse into producing before from helping produce Hymn & Her (2023) and is keen on always learning and expanding his skillset. He's worked as a trainee floor runner on set with industry producers such as Jamie Harvey (Firebrand 2023) and Matthew James Wilkinson (Yesterday 2019).

Ryan has spent the past three years honing his skills in editing and colour grading working on projects throughout university, most notably working as colourist on I Want To Believe (2024).

Ethan is a talented, lighting tech, originally begining in live events as a lighting technician and designer for corporate events and festivals. He worked as a lighting assistant and gaffer on  short films such as Hymn and her (2023) and Door to Door (2025), expanding his lighting knowledge and expertise. 

James has broad experience in sound design, with a strong foundation in both technical execution and creative storytelling. His work stands out in Into the Woods (2024) and WARD (2023), where his sound design played a key role in shaping the atmosphere. Eager to push himself creatively, James continues to grow his expertise in sound design while expanding into other areas of production. As an award-winning videographer for the University of Portsmouth, he brings a versatile skillset that continues to shape his development as a promising filmmaker.

Kian has acquired previous managerial experience on set working as first assistant director on Scallywag (2024), as well as being actively involved in the writing process for Oxygen. He is always enthusiastic to continue developing his screenwriting skills across a wide variety of genres, and to also continue applying those skills in a supervisory capacity on set as he has as our script supervisor. He has currently been hired to write a feature length script for Pesquido Productions.